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  • Stranger Things,” the acclaimed Netflix series set in the 1980s, has emerged as a powerful platform for promoting a range of corporate brands.
  • Netflix doesn’t accept paid product placements, but rather seeks to weave brands into storylines in ways that more organically evoke the show’s setting in the 1980s.
  • That approach has boosted sales for some companies, while more broadly changing how corporate brands are promoted in film and television.

The hit Netflix show “Stranger Things” isn’t just taking over Americans’ living rooms — it’s also upending the way companies market and advertise their brands to new audiences.
The streaming program’s record viewership has boosted the popularity of 1980s-era products tied to the sci-fi series, sending sales soaring by as much as 150% after episodes aired. It has even managed to make fading brands and products, from Eggo frozen waffles to BMX-style Mongoose bicycles, culturally relevant again. An entertainment phenomenon has also become a business phenomenon.

“Truly over the top”

“Stranger Things,” set in the fictional town of Hawkins, Indiana, in the mid-1980s, is chock full of homages to the era and is beloved, in part, for the nostalgia it evokes. Episodes are peppered with appearances from brand names like Cadillac, Chevrolet, Casio, 7-Eleven, Nike, Adidas, Schwinn, Burger King and more.
The impact of “Stranger Things” as a marketing vehicle owes largely to its reach. More than 40 million household accounts tuned into the show’s third season when it premiered over the July 4 weekend, Netflix reported. The total advertising value to the more than 100 brands whose cars, drinks, shoes, restaurants and food were featured over the course of the episodes was equivalent to about $15 million in the first three days following the third season’s release, according to Concave Brand Tracking, which analyzes brands’ presence in entertainment.
Coca-Cola saw roughly $1.5 million in product placement ad value after its widely-panned “New Coke” formula — an infamous marketing flop originally released in 1985 — appeared on the show, according to Concave, which measures things like brands’ screen time, product “discernibility” and logo and name visibility, as well as viewership and the cost of traditional advertising, to estimate the financial value of all product presence in a show.
But it’s not just about screen time. Chatter around the show and the brands that help drive it may be even more important. Coca-Cola earned more than 33 billion total media impressions over a 60-day period that ended July 11 — and those hits delivered a whopping $1.2 billion in media value, according to entertainment marketing agency Hollywood Branded.
“The numbers are just so truly over the top, and you even have chatter about brands that didn’t actually appear in the content,” said Stacy Jones, chief executive officer of Hollywood Branded.

Scoops Ahoy!

One such brand seeking to cash in despite their products not actually appearing on the show is ice cream maker Baskin Robbins, owned by Dunkin’ Brands. Baskin Robbins this month recreated the show’s fictional “Scoops Ahoy” ice cream shop at its Burbank, California, location, where it served a special-edition Stranger Things-inspired flavor.
“We initially discussed just creating a flavor that consumers could experience, but as we continued to discuss the partnership we saw so much value in building out a fan-centric experience that was authentic to the show and unlike anything that’s been done previously,” a Baskin Robbins spokesperson told CBS MoneyWatch.
The strategy worked. Over roughly two weeks, sales at Baskin-Robbins’ Burbank store jumped an impressive 150%. These and other “Stranger Things” promotions garnered more than 5 billion media impressions for the company — that amounts to $208 million in media value over the 60 day period that ended July 11, according to Hollywood Branded.

No paid “product placement”

Netflix is a subscription-based streaming service that depends on the membership fees it charges viewers — not ad dollars like traditional cable networks — to drive revenue. That helps it avoid the usual, and narratively cheesier, route of working brands into a show via paid placement. Although the practice isn’t forbidden at the company, Netflix also says it has rarely been paid for product placement in its other shows and movies.
“None of the brands and products that appear in Stranger Things 3 were paid for or placed by third parties. They’re all part of the Duffer Brothers’ storytelling, which references 1980s consumer and popular culture,” a Netflix spokesperson told CBS MoneyWatch, referring to the show’s creators, Matt and Ross Duffer.
Rather, the barrage of 80s product references — think Mongoose bikes, Nike Air Tailwinds and New Coke — is meant to help set the tone of the show, much like a soundtrack.
“Netflix is story-centric and they don’t accept advertising dollars. When you see a brand in a Netflix show, it’s truly meaningful to the story, and the writers have crafted that in,” said Caressa Douglas, senior vice president of global strategic partnerships at Branded Entertainment Network, a product placement agency.
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Stacy Jones

Stacy Jones has become a world-renowned specialist in branded content. Now it’s her mission to share her expertise and help brands and other business owners and executives leverage the tools our agency has crafted in building brand awareness – using the same proven methods she’s built her agency on and leveraged for client success.